Institutional Research
One of the major avenues into funding
short films is form government institutions, and specifically in the
UK, public money that is invested into short films is now distributed
by the British Film Institute (BFI). This is a charity that promotes
and protects filmmaking in the UK as well as providing funding to
independent film makers both emerging and established. Funding budget
varies per category, starting at £5000
for the iShorts sponsorship to £20,000
in the documentary short film category. People who are successful in
applying to these funding opportunities receive editorial support,
industry mentoring and networking opportunities. Similarly to
this funding by government institutions, filmmakers can seek funding
through sponsorships offered by film festivals, such as Sundance. It
offers grants and workshops to applicants whose work they see
potential in offer ongoing support to advance the development and
production of independent work.
Furthermore, corporate sponsorship for
a short film is always an exciting opportunity, however, this is not
usually open to new and emerging talent, more so established short
film writers and directors. For example, 'The Scarecrow' is a short
film created for Chipotle by Academy Award-winning Moonbot Studios,
that has fantastic emotional storytelling but is also used as an
advertising tool. Outside of external sponsorship, if film-makers are
truly passionate about this work they can always self-fund their own
project on the hope that its merits speak for itself and their
talents get recognised. Crowdshare or Crowdfund would also be an
online tool to raise money independently.
For the distribution of short films, it
is very effective for short films of a branded content to be
broadcast on television or online in order to gain exposure. Even
though they will be marketed to sell the product or company, their
work will also be showcased and their talents will also need to be
payed for when broadcasting. Additionally, social media channels, for
independent film makers or for companies, is a vital asset. Posting
on Facebook, Twitter, and other platforms will be beneficial to raise
awareness of your work. Outside of this, there are film festivals and
competitions in which you can submit your short film: BFI, Cannes
Film Festival, Toronto Film Festival, and Sundance Film Festival. All
are celebrations of art which encourage new talent and nurture new
ideas in the forms of short film and showcase the winning applicants.
Exhibiting short films does not usually
happen on mainstream broadcast mediums and is usually exists
digitally and online. Sites such as Youtube or Vimeo are good hosting
platforms to create a portfolio of work that you can exhibit for
free, which therefore makes your talents accessible to potential new
job opportunities, career paths, and investments. Specifically, Short
of the Week, is a website specifically launched to archive and
showcase new and emerging talent in the category of short film. In
addition, short film such as La Luna or Lava created by pixar, and
exhibited in cinemas as content to be rolled before the main feature
film of a 12 or PG age classification.
Generally speaking, the target audience
of a short film will be someone who is right brained, quite artistic
and inquisitive up to the age of around 70, as the short nature of
the medium for the 'Baby Boomer' generation would be so far removed
from that they are familiar with. However, practically speaking there
is no specific target audience for short films. People can be of any
culture, race, religion, age, or sex. The target audience is those
who are passionate about film and playing around with the craft of
film making to see what exciting things it can do.
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